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Fawkes

(Harry Potter)

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One of my favorite creatures from film is Fawkes the phoenix from Harry Potter, so I wanted to create a mechanical puppet. I had previous experience with featherwork from creating microraptor puppets, so this process was pretty smooth from start to finish. Fawkes is 3 feet tall with a 6 foot wingspan and weighs about 20 pounds. There are around 2,000+ feathers glued in place. The skin on the face is made of latex while the beak is epoxy and fiberglass. The tongue is silicone, and entire understructure of the creature is fiberglass cut into sections so it can articulate. It took me about 3 months to complete this puppet from start to finish. 

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I started out with a sketch of Fawkes but featherless so I could sculpt the body accurately. My main reference for this concept was a featherless lovebird named Blondie. I looked at how Blondie moved and made sure to keep the range of motion in mind when sculpting.

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I had an armature welded by my go-to welder, Mark, who always provides the sculptures I do with a sturdy structure, since these armatures need to hold up hundreds of pounds of weight without collapsing (sometimes up to 3,000 pounds!), but Fawkes was around 300. The armature is galvanized steel to ensure it wouldn't break. The sculpture took me a week to do since the only detailed part I had to work on was the face, given the fact there weren't any feathers present in that area.

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The sculpture was then molded using epoxy and fiberglass. I drilled holes in parts of the mold to keep it together when I would cast the head in latex. The rest of the mold was later used to create a core, which served as the skeleton of the final puppet that would house the mechanical components inside and allow the feathers and fabric to lay on top of.

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I placed a mesh fabric that could stretch in all directions over the fiberglass core for the feathers to be glued to. Parts of this fabric were sewn on various anchor points of the body such as the head, wings, and legs.

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It took me a week and a half to fully glue on every feather to the body. There were around 2,000 used and each one was individually placed. In more delicately subtle areas of Fawkes (like the face) I punched hair to cover any edges the quills created, which gave it a smooth transition. This puppet has a moving head, jaw, legs, as well as wings that can fold in and out with full articulation.

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© 2024 Brianna C. Walsh

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